Elijah Wood attends a freaky family reunion in COME TO DADDY [review]

Commentary, Film and Television

In the opening scenes of Ant Timpson’s Come to Daddy, former Lord of the Rings star Elijah Wood is once again on a quest.

When we first see him, he’s travelling on foot along a desolate shore, his baggy garments resembling a cloak, on the way to meet his estranged father who’s reached out inexplicably after a decades-long absence. The scene has a certain dreamlike quality, which seems comparatively normal as the film descends wholeheartedly into insanity.

William Prince – RELIEVER [review]

Commentary, Music

William Prince’s Reliever is as much of a balm as its title would suggest.

The Peguis First Nation folk singer’s long-awaited follow-up to his JUNO-winning debut sees him no less thoughtful, and even more assured in his song-writing. There’s a distinct gospel influence on this record, with gentle acoustic arrangements and Prince’s soothing baritone belying sweeping reflections on life, death, love, and redemption.

Harley Quinn lets loose in BIRDS OF PREY [review]

Commentary, Film and Television

Cathy Yan’s Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) finds our anti-hero finally freed (quite against her will, I might add) from a life-defining toxic relationship; it also sees the character released from the constraints of Suicide Squad.

Kesha – HIGH ROAD [review]

Commentary, Music

Kesha’s fifth album kicks off with a throwback.

After a bait-and-switch piano intro, opening track “Tonight” bursts into a gleefully rapped verse reminiscent of her autotuned party anthems like “Crazy Kids” and “Sleazy.” It’s perhaps no coincidence that the second song, brash banger “My Own Dance” has her “hungover as hell like 2012.”

Don’t believe the reviews: THE TURNING is worth a watch. [review]

Commentary, Film and Television

If you believe the reviews, The Turning is a turn-off.

Audiences and critics seem to be united on that. The ghost story earned an “F” rating on CinemaScore. One writer for the Irish Times claimed that the film was such a “waste of time,” readers shouldn’t even bother to skim his review.

I’m not going to say these people are wrong, just that it would be a mistake to listen to them. While not perfect, The Turning is visually striking, well-acted, consistently scary and surprisingly potent, with a palpable sense of menace building throughout.