Danger Slater’s Impossible James is a bizarro sci-fi comedy that fuses apocalyptic fiction with family saga.
Commentary
Ozzy Osbourne – Ordinary Man [review]
Commentary, MusicWith Ordinary Man, Ozzy Osbourne presents his most personal album yet, without losing any of his theatricality.
He’s also in very good hands musically, with accompaniment from members of Guns N’ Roses, Rage Against the Machine, and the Red Hot Chili Peppers and guest vocals by everyone from Elton John to Post Malone.
Nightmares in Ecstasy [book review]
Books, CommentaryReading Brendan Vidito’s Nightmares in Ecstasy is like entering a basement laboratory to find hundreds of unspeakable things sealed in jars, peering through the murk to glimpse eyeballs and tentacles and other mutated appendages that appear unnervingly human, but somehow not.
The JUNOs are back – check out some of the nominees
Arts Coverage, CommentaryUPDATE: This post was written back in March, when the 2020 JUNOs were facing an uncertain future. I’m happy to report that the Awards will be broadcast on CBC Music at 7 PM EST on June 29th/2020.
THE COLOUR OUT OF SPACE is weird fiction at its weirdest [review]
Commentary, Film and TelevisionRichard Stanley’s H.P. Lovecraft adaptation The Colour Out Of Space is a wonderfully weird cosmic horror freak-out featuring Nicolas Cage at his most bizarre.
Elijah Wood attends a freaky family reunion in COME TO DADDY [review]
Commentary, Film and TelevisionIn the opening scenes of Ant Timpson’s Come to Daddy, former Lord of the Rings star Elijah Wood is once again on a quest.
When we first see him, he’s travelling on foot along a desolate shore, his baggy garments resembling a cloak, on the way to meet his estranged father who’s reached out inexplicably after a decades-long absence. The scene has a certain dreamlike quality, which seems comparatively normal as the film descends wholeheartedly into insanity.
William Prince – RELIEVER [review]
Commentary, MusicWilliam Prince’s Reliever is as much of a balm as its title would suggest.
The Peguis First Nation folk singer’s long-awaited follow-up to his JUNO-winning debut sees him no less thoughtful, and even more assured in his song-writing. There’s a distinct gospel influence on this record, with gentle acoustic arrangements and Prince’s soothing baritone belying sweeping reflections on life, death, love, and redemption.
Harley Quinn lets loose in BIRDS OF PREY [review]
Commentary, Film and TelevisionCathy Yan’s Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) finds our anti-hero finally freed (quite against her will, I might add) from a life-defining toxic relationship; it also sees the character released from the constraints of Suicide Squad.
Kesha – HIGH ROAD [review]
Commentary, MusicKesha’s fifth album kicks off with a throwback.
After a bait-and-switch piano intro, opening track “Tonight” bursts into a gleefully rapped verse reminiscent of her autotuned party anthems like “Crazy Kids” and “Sleazy.” It’s perhaps no coincidence that the second song, brash banger “My Own Dance” has her “hungover as hell like 2012.”
Don’t believe the reviews: THE TURNING is worth a watch. [review]
Commentary, Film and TelevisionIf you believe the reviews, The Turning is a turn-off.
Audiences and critics seem to be united on that. The ghost story earned an “F” rating on CinemaScore. One writer for the Irish Times claimed that the film was such a “waste of time,” readers shouldn’t even bother to skim his review.
I’m not going to say these people are wrong, just that it would be a mistake to listen to them. While not perfect, The Turning is visually striking, well-acted, consistently scary and surprisingly potent, with a palpable sense of menace building throughout.
So, is the BREAKING BAD movie any good?
Commentary, Film and TelevisionBreaking Bad fans were treated to a long-awaited coda this year with El Camino: A Breaking Bad Movie.
Madison’s Top 15 Movies of 2019
Commentary, Film and TelevisionI probably say this every year, but it’s been a good year to be a movie fan.
