I’m doing a Top 13 instead of a Top 10 this year because I’m edgy and there were too many good albums to choose from. Without further ado:
Well, October certainly came on fast.
I spent a big chunk of the summer working in northwestern Ontario. It’s a beautiful part of the country, with vast forests and countless lakes and inlets dotted with campgrounds and lodges. (I was reminded of a certain type of eighties movie we all love). I saw lots of wildlife, including a moose on the highway, a bald eagle perched on top of our office, and a black bear fifteen feet from me on the downtown sidewalk.
Oh, and did I mention that our office was haunted? So yeah, I had a blast.
Thanks for checking out my annual Halloween special! I know everyone’s busy today carving pumpkins and stalking babysitters and punishing all those who don’t make the annual tribute, so let’s dive right in!
I celebrate autumn early, so I figured I should do a farewell summer blog before I get my Halloween decorations up.
Since I’m confined to Ottawa for the forseeable future (not that I’m complaining – there are worse cities to be stuck in), I’ve been taking myself on vacation through stories.
My current projects include a cosmic horror story set at the beach, and a wilderness thriller involving a zipline. (I’m also putting the finishing touches on a sword-and-sorcery epic, which is a different type of escapism). Hoping to put the finishing touches on these soon, so I can dive into some spookier stuff for fall.
Has anyone else been living vicariously through fiction?
“Dust in the Jail Cell” – Author Interview and Blog Post [Transmundane Press]
Transmundane Press recently published my guest post discussing the inspiration for my short story “Dust in the Jail Cell,” featured in their upcoming On Time anthology.
I watched a lot of Tales from the Crypt as a kid, and the Cryptkeeper himself intrigued me more than any of the stories he told. Where did he hear all these twisted tales – and who is he telling them to?
I conceived Phillip Oddworth, the villain in “Dust in the Jail Cell,” as a storyteller figure.Madison McSweeney, “Stories About Stories”
You can also read my author interview, in which I go into more detail about my influences and writing process, here.
Article: Top 20 Greatest Canadian Bands [Ottawa Life]
Earlier this summer, I contributed an article to Ottawa Life magazine, running down my top 20 Canadian bands. I set out to make it an eclectic list, with my personal favourites like Rough Trade, Billy Talent, and Voivod alongside more famous acts like Arcade Fire and the Barenaked Ladies.
That said, I dare anyone to dispute my top 3.
Read it here, and let me know if I’ve missed anyone!
Last night, I received an acceptance for a gory little story about astrology.
And if you enjoyed my Top 20 Canadian Bands list, wait until you see my Top 20 Canadian Singers feature!
A Short Dispatch from the Woods
Earlier this week, I went for a (socially-distanced) evening hike with friends. Nice little adventure that ended beneath the full moon.
Also, I am fairly convinced there was some Blair Witch stuff going on in the woods:
New Music Showcase
Kathleen Edwards – “Ashes to Ashes” [Total Freedom]
I deliberated over which new Kathleen Edwards song to include here – her new album is wonderful from top to bottom – but this one was too beautiful and sad not to share.
Honourable mentions: “Options Open,” “Birds on a Feeder,” “Who Rescued Who?”
Bob Moses – “Ordinary Day” [Desire]
Hypnotic beats and yearning vocals dominate Desire, the latest album from ambient EDM duo Bob Moses. I listened to it for the first time today and am really looking forward to giving it a few more spins – I suspect it’ll make a good writing soundtrack.
Gwendolyn Kiste – “An Elegy for Childhood Monsters” [The Dark]
The monster under the bed is a metaphor for intergenerational trauma in this haunting story by Gwendolyn Kiste. Tonally, and in its portrayal of grief, grudges, and buried secrets, it reminded me a little bit of Pumpkinhead.
Cecilia was two years older than me, so I believed her. I didn’t realize then she only chose the stories with the happy endings.Gwendolyn Kiste, “An Elegy for Childhood Monsters”
Read it in The Dark Magazine.
Kerry C. Byrne – “The Doors That Do Not Open” [THIS]
I really enjoyed the treatment of [SPOILER] imaginary friends in Kerry C. Byrne’s subtly fantastic story about the pros and cons of having a rich internal life. An elegaic, nuanced depiction of how unreal things can both enrich and limit our real lives.
For a while, around thirteen, I tried tailing him when he left. I was certain that if I could follow him to unthere, I’d prove that I was important enough to stay for. But the way he moved through space wasn’t available to me, and halfway down a street he would be gone and I would be standing alone, absent-minded and disoriented.Kerry C. Byrne, “The Doors That Do Not Open”
Read it at THIS Magazine.
Thanks for reading!
Also, anyone else getting ready for Halloween this week?
Happy August, everybody!
If you’re looking for some reading (and listening) material for this long weekend, you’ve come to the right place.
Read on for some of my latest publications (including a bunch of stories and poems you can read right now for free) as well as recommendations of short fiction, essays, and poems that you can read online. Not to mention, a few songs I’ve been addicted to and a trippy video that’s a horror movie in the making…
Achievement unlocked – Novella written!
On June 16th, I completed the first draft of my first-ever novella, a horror comedy called The Doom That Came To Mellonville.
A quirky horror-comedy in the tradition of Beetlejuice, The ‘Burbs, and The Frighteners, Doom tells the story of a mild-mannered accountant who accidentally curses his small town after putting his late son’s estate up for action.
This story is one I’ve abandoned and resurrected many times over several years, its word count ballooning to around 20,000. Though the process was agonizing at times, I had a fun time writing it (particularly the scene where Lawrence Plank and his dead son argue about folk music). I’m very happy with the final product and I can’t wait to share it with people!
Miskatonic Review on “The Song Inside the Star”
Grateful to of the Miskatonic Review for this great write-up of my Lovecraftian short story “The Song Inside the Star,” about a teen pop star who summons the Goat with 1000 Young.
“By writing in a way that contemporary readers are used to digesting information, she helps sink you into the world of her story that bends this new reality around yours. It may have you questioning yourself the next time you buy a ticket to a concert by the next-big-thing. When it’s safe to go to concerts again, maybe, just maybe, it won’t be.”
Short Story: “Folk Horror” [#FrightGirlSummer]
I started writing this one in the “Notes” section of my phone during the opening act of an Arkells concert.
This band used to do a lot of free outdoor shows in Ottawa, including several campus events when I was in university; this was my first time seeing them headline an arena, and it almost felt like the end of an era. Still an amazing show, but there was definitely some cognitive dissonance at play.
The opening act that evening was American folk-rock band Lord Huron, whose slightly eerie set (combined with the weird head-space I was already in) inspired this story of rock-n-roll and ritual sacrifice.
I was very excited to present this tale as part of #FrightGirlSummer. You can read it here.
Poem: “Welcome Mat” [Pink Plastic House]
A little poem about apartment living:
“Leave me alone, I don’t have pests
is something someone with bugs would insist
Come in, I guess…
Many thanks to editor Kristin Garth for finding a home for this in the Pink Plastic House! She also took this cute photo to illustrate it.
You can read the full poem below at the Pink Plastic House Instagram:
Poem: “Insect-toothed woman” [Cauldron Anthology, Issue 11]
A macabre poem for this witchcraft-themed issue:
“…she haggles at the stalls;
trades bronze coins for leg of lamb
takes stained glass for widow’s root
wanders off mumbling ‘fore the fishmonger
calls her back; “just for you, two-for-one.”
two dead-eyed trout.
she takes what is holy…”
With startling re-interpretations of witch figures of myth, including a feminist retelling of the King Arthur legend and a post-apocalyptic take on Baba Yaga, the whole issue is a very good read.
Check it out at Cauldron Anthology.
Short Story: “In the Death House” [Weird Mask, Issue 24]
Two globetrotting academics, one British, one American, get stranded in a storm. As the rains fall and the sky darkens, they find refuge in a mountain shack, realizing too late that they’ve sought shelter…
“In the Death House”
“There were two occupants in the house that we could see: an old woman, her hair a shocking red, and a little girl, sucking contentedly on the black hair of a homemade doll. Over the groan and crackle of the fire, I thought I could hear the desolate lamentations of a great many men on an upper floor. I immediately understood: this was a house where the dying were tended to.”
Weird Mask Issue 24 features occult horror, conspiracy thrillers, dystopian sci-fi, mystical fantasies, and a few stories I could see being featured in a text-only issue of Heavy Metal Magazine.
You can order it here.
Poems: “Looking Out Windows,” “Cronenberg,” “U.F.O. Ridge,” and “My Monster” [M Zine, Issue 2]
Happy to have four of my favourite poems appear in Issue 2 of M Zine. Science fiction-inspired but intimate; regret-laden odes to aliens and body horror and all that fun stuff.
You can order the zine here.
Recently received a couple of acceptances I’m very excited about.
My social distancing telepathy rom-com “Living Vicariously Through You” will appear in Owl Hollow Press’s upcoming anthology tentatively titled The Year of the Virus.
I’ve worked with this editorial team twice before, and I have no doubt they’ll select stories that address this strange era with sensitivity and insight.
“Living Vicariously” is also my first rom-com, which I’m pretty excited about. (That said, it’s also a science fiction story, and I couldn’t resist adding in some unnerving sequences).
Additionally, while I can’t provide details yet, I also received some good news about a story I’ve long been trying to find a home for. It’s a nasty little revenge story that draws from children’s literature and splatter horror.
New Music Showcase
“We Are Chaos” by Marilyn Manson
To be perfectly honest, I’m still trying to wrap my head around this new Manson single. It definitely doesn’t sound like anything he’s done before; at the same time, it evokes the poppier moments of records like Mechanical Animals.
In any case, I’m looking forward to hearing this in the context of an album. If you ask me, “We Are Chaos” has a cinematic feel that would work as the denouement of a concept album – here’s hoping!
“Identical Love” by July Talk [Pray for It]
I’ve been really enjoying this new July Talk album – it’s a slow-burn, but very hypnotic. Feels almost like floating in the ocean.
If you dug this song, also check out “Life of the Party,” “Pay for It,” and “The News.”
“Quitting You” by Arkells
An acoustic love song by Arkells! Exactly what we need in these trying times!
(And yes, this is the band that kind-of sort-of inspired “Folk Horror.” One of my favourite groups.)
“My Obsession” by William Gibson [Wired]
William Gibson can make the act of scrolling through a website feel like a disorienting journey through time and space. So it’s no surprise I had a great time reading his non-fiction collection Distrust That Particular Flavour, which sees the cyberpunk author reflecting on film-making, internet culture, history, science fiction and Steely Dan.
Chronicling his brief foray into eBay addition and vintage watch collecting, Gibson’s 1999 essay “My Obsession” is both funny and insightful. He perceives the online auction site as a sort of discombobulated rummage sale, allowing you to browse the contents of “the world’s attic” in search of anachronistic treasures:
“Most of our toys, unlike the wood and pot-metal of yore, were extrusion-molded ephemera, fragile styrene simulacra, highly unlikely to survive the random insults of time. A great deal of the boomer’s remembered world has been melted down, or crushed into unreadable fragments in forgotten strata of landfill. What remains, particularly if it’s “mint in box,” becomes increasingly rarefied.”
Read it at Wired.
“Heat Pump” by Tabatha Wood [#FrightGirlSummer]
Having suffered through a sweltering July, I could relate to the protagonist’s frustrations in this summery horror story by Tabatha Wood:
“You’ve not been here long then?”
“Living on your own?” he pressed.
I wasn’t about to answer that.
“I see a lot of girls like you, in my job. Not many of them as pretty as you though, eh? I always tell them the same thing. Living alone, it’s not a great idea…”
Read it over at Fright Girl Summer.
“violet / the end” by vanessa maki [Rising Phoenix Review]
I’ve been a huge Hole fan since high school, and Courtney Love’s lyricism was a big influence on my own writing. So I really enjoyed this mystical yet frank poem by vanessa maki, which draws from their signature song “Violet.”
Read it at Rising Phoenix Review.
“Ready or Not” by Cassie Daley [#FrightGirlSummer]
This short story by Cassie Daley is both a fresh take on a classic tale and a masterful bit of sleight-of-hand. Daley weaves a disturbing tale of abuse and exploitation, leading to a grim twist that’s almost comforting by comparison:
“‘Who are you?’ In the passenger seat, I glance out of the windshield and don’t recognize anything. I don’t feel as worried as I think I should. We drive silently through residential streets with names I’ve never heard of, lined with houses that are just a little bit… off. At first I can’t pinpoint why the houses look strange, but the longer I stare the more obvious it becomes.”
Read it over at Fright Girl Summer.
“Run Away With Me” by Kendall A. Bell [Pink Plastic House]
Another music-based poem! Inspired by the works of Carly Rae Jepsen, this summery poem by Kendall A. Bell captures the carefree (yet consequential) vibe of a great pop song.
Read it at the Pink Plastic House Instagram below:
“Squatchin'” by Jennifer Lee Rossman [Serial Magazine]
I love a good Bigfoot story (and I’ve written a few bad ones, myself!), so I had a lot of fun reading this Sasquatch-hunting meet-cute by Jennifer Lee Rossman:
“But something lived in these woods. Possibly in woods all across the continent. That many people couldn’t mistake a bear for an ape, they couldn’t all be hoaxes. Certainly the creature she had seen as a teen hadn’t been a bear or a man in a suit, though she kept that sighting quiet for fear of ridicule.”
Read it over at her blog.
It has been hot here in Ottawa, interspersed with intermittent bursts of rain. In other words, plenty of opportunities to stay in and get some writing done in front of an oscillating fan.
In addition to the long-gestating novel, I’m currently working on a surreal horror-fantasy with mild Phantasm vibes, and a seaside cosmic horror story that I’m fairly sure was inspired by this wonderful clip:
So, how is this bizarre summer treating everyone?
Followers of this blog are likely aware of my zealous passion for Canadian content.
Happy World Goth Day, fellow creatures of the night!
Last year on this day, I shared my own unofficial guide to goth. This year, I’m just going to showcase some of my favourite gothic songs, stories, and films, for your listening, reading, and viewing pleasure.
I love excess in fiction.
It’s been a weird few weeks, to be honest.
I’m fascinated by transformations.
Not just the dramatic spectacle of a man turning into a werewolf under the full moon, or a human hand mutating into a weapon in a Cronenberg flick (although I love those, too). What I’m talking about today, though, are the subtler changes that are no less profound.
In today’s blog, I talk about dreams and whether or not they are of any use.
Hello, readers! Welcome to my first blog entry of 2020.