With Ordinary Man, Ozzy Osbourne presents his most personal album yet, without losing any of his theatricality.
He’s also in very good hands musically, with accompaniment from members of Guns N’ Roses, Rage Against the Machine, and the Red Hot Chili Peppers and guest vocals by everyone from Elton John to Post Malone.
Reading Brendan Vidito’s Nightmares in Ecstasy is like entering a basement laboratory to find hundreds of unspeakable things sealed in jars, peering through the murk to glimpse eyeballs and tentacles and other mutated appendages that appear unnervingly human, but somehow not.
William Prince’s Reliever is as much of a balm as its title would suggest.
The Peguis First Nation folk singer’s long-awaited follow-up to his JUNO-winning debut sees him no less thoughtful, and even more assured in his song-writing. There’s a distinct gospel influence on this record, with gentle acoustic arrangements and Prince’s soothing baritone belying sweeping reflections on life, death, love, and redemption.
Nightmare Cinema is a love letter to horror movies that may make you never want to set foot in a theatre again.
Rebecca Kokitus’s debut chapbook Seasonal Affected is an introspective, unnervingly intimate collection of poetry that reads like a southern gothic.
Musings by Madison 